“Everyone wants to understand art. Why not try to be aware of the song of the bird?…people who try to explain pictures are often barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is very relevant to how you approach abstract paintings. Lots of people believe that abstract paintings should have a certain meaning of some kind, that could be clearly understood and articulated if perhaps they knew how. This misconception is not really helped by the endless supply of people willing to spout nonsense about what they think the artist was trying to say. The almost inevitable results of this example is the fact people either can feel like these are being excluded from sharing in a few secret knowledge, or alternatively conclude that Extra Large Paintings is certainly all a sham. In either case, the result is that lots of people do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own, personal paintings are concerned. Basically If I experienced a specific message or perhaps a which means that I was able to articulate in words, then I would articulate it in words – the painting would have no purpose. The complete reason for creating an abstract painting is that it embodies a thing that only it could, in a way that cannot be put in words. It is far from an essay it really is a painting – it encompasses and expresses things in a language which is unique towards the medium of paint. For this reason we need to not attempt to ‘understand’ abstract paintings in the manner people sometimes feel they ought so that you can.
The viewer must not search for a clear narrative within an abstract painting – it is far from going to tell a tale, or reference an external ‘subject’ in a similar manner that a figurative painting will. But that does not always mean there is absolutely no meaning or no subject, or that abstract paintings cannot get in touch with and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am the topic”. Pollock’s statement is not only true, it really is inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed to the painting when the artist approaches the task within an open and honest way. I do not need another subject or idea before I will create Hand Painted Oil Paintings – I simply begin. The reality that I am just me with no-one else is what makes my work different to anyone else’s, and also the same wzjtrs true of all artists. The colours I choose, the marks a make, the accidents I choose to depart, or to obliterate, they are things that I choose due to who I am.
Should you present several different artists with similar basic design over a canvas and make them pick-up a brush and develop the painting, the differences in whatever they would elect to do would be enormous. I have watched other abstract artists at the job on paintings and thought “I might never in a million years have chosen that colour and place it there.” Not because I believe that it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are lots of great styles of painting out there, arising from a rich art history which includes seen movement after movement. The phrase abstract art is often used a blanket term to illustrate non-representational art – that is the lack of recognisable subjects. Abstract art was connected to the rise of modernism over the last century, getting into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought regarding the qualities we see in abstract art? The flattening in the artist’s canvas surface is one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface being an object in their own right, with the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form their own qualities according to the actual way it was handled. The paint could exhibit ‘personality’, it had its own dimensions and exposed a multitude of different techniques we see in artwork through the last century. One of the main reasons artists began Extra Large Paintings in an abstract way was the opportunities for greater creativity. It allowed to get a greater range of expression and the growth of ideas that had been not dependent on representing reality anymore.